The mGPU support in 4.27 allows for the simultaneous use of multiple cameras, larger frustums to support wider angle lenses and a more efficient balance of hardware deployment. A GPU can be dedicated to the inner frustum allowing for more complex content to be displayed. When using multiple cameras the underlying mGPU technology is backed by a workflow for the setup and operation of the multiple cameras.
You can now drive lens distortion on cinematic cameras using calibrated camera data, enhancing the look of your live compositing workflows. You can calibrate your lens using the new camera calibration and nodal offset tools, or bring in external calibration data in the form of ST maps.
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I can only talk about the Xperia ZL, one thing I love about it is the dedicated camera shutter button.Taking pictures by touching the screen has never made sense to me.I think the ZL takes good pictures for a phone but it's no Nokia Pureview 808.I know Sony is more than capable of making a phone with a good camera, maybe if the rumored Cybershot phone is true we will soon find out.@ Jostian horrible IQ Wow are you on crack
The blur if the out of focus area typically happens because the light signal blends in the out of focus area. The effect is also stronger with a large aperture lens (large hole) because the larger the area, and the more blending happens. A large-enough lens and sensor surface area are difficult to do on a tiny phone lens, and even harder because the P9 lens does have a particularly large aperture anyway (f2.2).
For bokeh the P9 has the tremendous advantage of having two full-resolution sensors. By using the 8mm distance between the lens, the difference of perspective helps estimate the distance of each pixel to the lens. From there, it can add an extra process to blur out of focus pixels. The bokeh of the Huawei P9 is done instantly and is comparable to what the Google Camera app takes many seconds to compute.
Mobile photography is an extremely difficult task because it goes against everything that should make it easy to capture good photos: small lenses, small camera module, the ultra-short distance between lens and sensor, constrained computing power, etc.
Aperture Lock: The camera keeps the lens closed during video assist and while capturing photos. This prevents potential flicker from the aperture opening and closing repeatedly. Requires an RF lens and Dragonframe 5. The feature is always on in Dragonframe 5. You can verify by choosing a fairly closed aperture, like f/22, and looking into the lens. Verify that it is closed during live view. Then verify that when you take a picture it does not open and close.
Usually this is just a matter of camera settings and/or lighting. Start by going into the Cinematography workspace and adjusting the camera settings. The most important are the three sliders for Shutter Speed, Aperture and ISO. (If you are using a manual lens, the Aperture slider will be grayed out.)
If you are using a digital lens (not a manual aperture lens), then the live view and high-resolution images will have different aperture values, and therefore different depth-of-field and focus range. This is because the camera keeps the aperture wide open during live view, giving a shallow depth-of-field and a small focus range. If your high-resolution image has a stopped down aperture, like f/22, it will have a large depth-of-field and large focus range. Possible solutions:
Photoshop CS2, released in May 2005, expanded on its predecessor with a new set of tools and features. It included an upgraded Spot Healing Brush, which is mainly used for handling common photographic problems such as blemishes, red-eye, noise, blurring and lens distortion. One of the most significant inclusions in CS2 was the implementation of Smart Objects, which allows users to scale and transform images and vector illustrations without losing image quality, as well as create linked duplicates of embedded graphics so that a single edit updates across multiple iterations.[37]
Photoshop CC (14.0) was launched on June 18, 2013. As the next major version after CS6, it is only available as part of a Creative Cloud subscription. Major features in this version include new Smart Sharpen, Intelligent Upsampling, and Camera Shake Reduction for reducing blur caused by camera shake. Editable Rounded Rectangles and an update to Adobe Camera Raw (8.0) were also included.[56]
Photoshop 2020 was released on November 4, 2019. Version 21 has many new and enhanced features like the new object selection tool for better automate complex selections, new properties panel, enhanced transform warp, new keyboard shortcuts for paint & brush and background image removal option. It added several improvements to the new content-aware fill and to the new document tab. Also added were animated GIF support, improved lens blur performance and one-click zoom to a layer's contents. It introduced new swatches, gradients, patterns, shapes and stylistic sets for OpenType fonts. With this version users now can easily convert smart objects to layers and also can adjust 32-bit layers for brightness/contrast and curves. Presets are now more intuitive to use and easier to organize.
With the February 2020 update (version 21.1) Photoshop now can iteratively fill multiple areas of an image without having to leave content-aware fill workspace. This version improved GPU based lens blur quality and provided performance improvements, such as accelerating workflows with smoother panning, zooming and navigation of documents.
DPP Express is designed for fast and intuitive operation on your iPad. With touch-operated controls and a clear, simple user interface, it's easy to adjust settings like tone curves, picture settings, gamma levels and even lens correction right on your iPad and see the changes applied in real time.
Canon has released a new update to its popular Digital Photo Professional 4 (DPP4) software. Version 4.5.20 adds support for older cameras including EOS-1Ds Mark II, EOS-1D Mark II N, EOS-1D Mark II, EOS 5D, EOS 40D, EOS 30D, EOS 20Da, EOS 20D, EOS 400D DIGITAL (EOS Kiss Digital X / EOS DIGITAL REBEL XTi), EOS 350D DIGITAL (EOS Kiss Digital N / EOS DIGITAL REBEL XT), PowerShot G15, PowerShot S110, PowerShot S100, and PowerShot S100V along with support for the EF 70-300mm f/4-5.6 IS II USM lens
DPP 4.0Canon developed the upgraded DPP 4.0 software for the editing of RAW images in response to the needs of professional and advanced-amateur users. The software delivers improved workflow efficiency for photographers who edit large numbers of images at an advanced level, helping them to achieve the key concepts of the EOS series of interchangeable-lens cameras: speed, ease of use and high image quality.
In Halide, we simply have a Macro mode. You toggle it to jump to the closest focusing lens (and we throw in some AI enhancement magic too). Apple avoids this sort of complexity in their camera app, but relented in an iOS 15 update, making it a setting.
No more half measures: iPhone 13 Pro and its larger brother, the iPhone 13 Pro Max, pack 3x (77mm) lenses. Unfortunately, however, Apple did not bless this camera with the upgrade of all the other cameras. Its sensor remains disappointingly the same size. This is a serious problem.
Virtually all telephoto lenses make a serious sacrifice: light. For example, on the iPhone 12 Pro, the wide angle lens had an ƒ/1.6 aperture, its telephoto had a narrower ƒ/2.0, allowing in less light. Less light translates into more noise and/or motion blur, making it hard to get a sharp shot.
The Fotor Photo Editor app actually doubles as a camera. It offers a bunch of different de-blurring tools that it is very proud of, as well as a couple artistic blur tools like bokeh blurs that are completely customizable.
This is easily the best-value handset from Apple yet. Not only is it the cheapest model, but it comes with Touch ID, a powerful engine that makes it fast and responsive under the finger, and a decent camera, all for nearly half the price of an iPhone 11.
Out of the box, the Canon EOS 850D offers a 'guided' menu system designed for beginners. Its graphical user interface explains camera basics, for example the effect of aperture on background blur and additional tips on how to achieve more blur.
The Canon EOS 250D / Rebel SL3 is a new entry-level DSLR aimed at people buying their first interchangeable lens camera. It improves on the previous EOS 200D / Rebel SL2 model principally by implementing 4K video recording, a better live view mode, more sophisticated auto-focusing, and longer battery life. Is this the best interchangeable lens camera for beginners? Find out now by reading our in-depth Canon EOS 250D review...
The mid-range interchangeable lens camera market is fiercely fought, with a huge array of formats on offer from all the major camera manufacturers. Enter stage left Panasonic with the new Lumix G90 / G95, a camera that aims to satisfy both photographers and videographers alike. Can it pull off this tricky feat? Read our in-depth Panasonic Lumix G90 / G95 review to find out...
The Pentax K-70 is a new mid-range DSLR camera that inherits a lot of pro-level features. The 24 megapixel K-70 is fully weatherproof, as is the 18-135mm kit zoom lens, and it also offers a vari-angle LCD screen, 6fps continuous shooting, an 11-point Hybrid AF system, an optical viewfinder with nearly 100% frame coverage and an ISO range of 100-102400. Read the World's first in-depth Pentax K-70 review now...
Thank you for your comments about my camera and lens selection. You have caused me to re-think the 105 2.8G and consider the 60 2.8G and 85 1.8G. Is the 60 2.8G a reasonable lens for macro work? Could the 60 2.8 be a replacement for the 50 1.8 or is it not fast enough? Thanks again, I really appreciate your advice!
Fun and informative reading through your equipment list and the rankings you give them. I have owned several of the cameras and lenses on your list (still do) and can agree with much of what you say. Although for some reason I have the opposite opinion regarding the Voigtländer and Zeiss lenses on the Leica M8 and M9. 2ff7e9595c
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